From: BSC (71650.1156@CompuServe.COM)
Subject: McCartney discusses Free Like a Bird
Date: 5 Aug 1995 04:07:36 GMT
From August '95 interview in BASS PLAYER magazine:
"To do this song, we took a cassette of John's, not multitracked,
but exactly like *that*," he says, pointing at my little Sony
recorder. "It was him and piano, interlocked. You couldn't pull the
fader down and get rid of the piano--they're there. And I mean--
not being boastful--with [producer] Jeff Lynne, we did a really good
job. We recorded it here: me, George, and Ringo. I played the Wal, and
what I liked was I played very, very normal bass, really out of the way,
because I didn't want to 'feature.'
"There are one or two moments where
I break a little bit loose, but mostly I try to anchor the track. There's
one lovely moment when it modulates to C, so I was able to use the low C
of the 5-string--and that's it, the only time I use the low one, which I
like, rather than just bassing out and being low, low, low. I play
normal bass, and then there's this low C and the song takes off. It
actually takes off anyway because a lot of harmonies come in and stuff,
but it's a real cool moment that I'm proud of. That's my Wal moment."
Wasn't it strange playing along with John Lennon's cassette?
very strange and it was very magic; it was very spooky and it was very
wonderful. Before the session we were talking about it, and I was
trying to help set it up, because we never even knew if we could be
in a room together, never mind make music together after all these
years. So I was talking to Ringo about how we'd do it, and he said it
may even be *joyous*.
"And it was--it was really cool. We pulled it off,
that's the thing. And I don't care what anyone says. We could work
together. We did a bit of technical stuff on the tape, to make it work,
and Jeff Lynne was very good. We had Geoff Emerick, our old Beatle
engineer; he's solid, really great. He knows how Ringo's snare
THIS MONOPHONIC MICROGROOVE RECORDING IS PLAYABLE ON MONOPHONIC AND STEREO PHONOGRAPHS. IT CANNOT BECOME OBSOLETE. IT WILL CONTINUE TO BE A SOURCE OF OUTSTANDING SOUND REPRODUCTION, PROVIDING THE FINEST MONOPHONIC PERFORMANCE FROM ANY PHONOGRAPH.