Concert at the Hippodrome, Birmingham (Chris Montez and Tommy Roe tour).
1964
Studio 2. 10.00am-1.00pm. Stereo mixing: 'Can't Buy Me Love' (from take 4); 'Long Tall Sally' (from take 1); 'I Call Your Name' (from take 7); 'You Can't Do That' (from take 9). Mono mixing: 'Long Tall Sally' (from take 1); 'Komm, Gib Mir Deine Hand' (from edit of takes 5, 7); 'Sie Liebt Dich' (from take 14). Producer: George Martin; Engineer: Norman Smith; 2nd Engineer: unknown.
The Chilean magazine 'Ecran' officially presents the new Beatles phenomenon in Chile on today's issue.
Turks Head, St Margaret's, Twickenham, Middlesex. Shooting for 'A Hard Day's Night': Ringo in a pub.
1965
Brian reveals his plan to film the Shea Stadium concert.
1967
Studio 2. 7.00pm-4.00am. Recording: 'Getting Better' (overdub onto take 12). Producer: George Martin; Engineer: Geoff Emerick; 2nd Engineer: Richard Lush.
1969
Olympic Sound Studios. Time unknown. Stereo mixing: 'Get Back'; 'Teddy Boy'; 'On Our Way Home' (working title of 'Two Of Us'); 'Dig A Pony'; 'I've Got A Feeling'; 'The Long And Winding Road'; 'Let It Be'; 'Rocker'; 'Save The Last Dance For Me'; 'Don't Let Me Down'; 'Because You're Sweet And Lovely' (working title of 'For You Blue'); 'Get Back'; 'The Walk'. Producer: George Martin?; Engineer: Glyn Johns; 2nd Engineer: unknown. Glyn Johns, commissioned by John and Paul, begins work of compilation of the album 'Get Back'.
Let It Be producer Glyn Johns
1971
Evening: According to a rumour, John, with George and Ringo, presented himself at Paul's Cavendish Avenue house and threw a brick to one of the windows.
A court names J. D. Spooner as trustee of the Beatles goods.
1975
US single release: 'Stand By Me'/'Move Over Ms. L.'.
1982
Startling Studios. Recording of basic tracks for LP 'Old Wave'. Chris Stainton plays keyboards instead of Gary Brooker. Producer: Jim Nipar.
